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Autowriters.com Autowriters Spotlight: Cliff Atiyeh
Cliff Atiyeh

Unless you are a self-proclaimed pundit who goes straight from your conceit to your own blog, it’s not a straight path to work as an auto writer, as Cliff Atiyeh recounts in this month’s Spotlight.

Back in 1995, I didn’t know automotive journalism was an actual business. I was nine years old, leafing through my first issue of Motor Trend, wondering how these writers could drive a yellow Porsche across Europe and call that a job. It was wild folklore, and editor C. Van Tune might as well have been Gandolf. Month after month I was hooked: reviews, comparison tests, wacky letters to the editor, concept art, gossip. Until I graduated high school, I couldn’t eat a bowl of cereal without a car magazine.

I realized two things before setting off to Boston University for a journalism degree. First, I’d need to move to Michigan (do I have to?) or California (right away) if I ever got a magazine job. The second part involved waiting for enough writers to die off the mastheads. I figured 20 years. Auto writers aren’t like professional athletes, in that they almost never retire. And who can blame them? When I’m 80, I want to be tearing around a track in the 2070 solar-hydrogen M3, not tending an organic vegetable garden.

I haven’t yet been published in a major magazine. Every time I try, another newspaper reels me in. In college I interned for two summers at the Record-Journal in Meriden, Conn., where I covered the 2003 New York Auto Show for their business section. Unlike most local papers, they actually paid me. Three years later I was writing about New York from London during a study-abroad semester at The Times. I wrote for the online auto section, read lots of Jeremy Clarkson, drank one too many beers for lunch, and wrangled a free ticket to the British Grand Prix. I was paid for that, too.

Now I’m the unofficial auto guy at The Boston Globe for both online and print. This is my third year. But first I had to take a dirt-pay layout job at a free newspaper, only to be fired and frustrated for six months. In that time I saw a job posting for Boston.com that wanted someone to edit the auto section, but required meeting “product revenue” and “key performance indicators.” Editorial people don’t talk like that, but I thought it was a good way to get my name in a major newspaper. I didn’t realize how good until print staff were being bought out by the dozens, including auto writer Royal Ford, or laid off.

No one on Boston.com got booted, and no one was covering cars. In 2008, I convinced the bosses to start a car blog, Boston Overdrive, to start building a voice. Soon I got talking to John Paul of AAA, whose “Car Doctor” advice column I posted each week. He got talking to journalists in the New England Motor Press Association, which had connections to nearly every automaker. Months later, they forced me to dress in an elf costume and play trombone to a crowd of national PR reps during a Christmas party. I’m on the billing till I retire, if that ever happens.

Turns out auto journalism isn’t impossible to join, it’s just a small world. Of all the writers in the Geneva Auto Show press room, I ran into Motor Trend’s Angus MacKenzie. Ezra Dyer lives 20 minutes south of me here in Boston. We even talk on the phone. Well, one time.

At 24, I’m living what I’ve always dreamed about as a little boy. I can visit an auto show and have the same car sitting on my driveway weeks later. I’m invited to fancy press trips, but get uncomfortable by the lure of free vacations. I’m finding the tipping point between editorial independence and advertising dollars. I’m certainly not in this for the money.

I joke that I’ve spent my whole life driving cars that aren’t mine. I came to work today in a Mercedes SL63. This is a real job, right?

John Rettie is a freelancer, with the emphasis on being free to pursue his light. Going on staff when it works and leaving when it doesn’t, he has been on staff for Meyer’s Publishing, Ward’s Communications, J.D. Power and Associates and The New York Times among others in an auto writing career that began in England in 1971. He also writes on photography, has designed and built auto parts, raced cars and originated the Automotive PR Survey conducted by MPG.


Like many of you, I’ve enjoyed reading the ongoing debate about the future of auto journalism, especially as I am now one of those “old and bald” journalists.

Autowriters.com Tom-Tom: John Rettie
John Rettie

Almost 40 years ago I was a fresh-faced writer who started working on a small magazine in the UK. I had no degree in journalism but I was enthusiastic and realized how lucky I was to be in my dream job. My salary was poor — you know the rest of the story.

A few weeks ago someone told me there was an opening listed on CareerBuilder for an automotive writer in my hometown, Santa Barbara. It looked promising. It read as if a major newspaper or magazine was looking for an experienced auto journalist. Only this was for Examiner.com.

Several established auto writers are indeed writing for Examiner and a few are making some money but I don’t know of anyone making a decent living doing this.

Writer’s forums have been full of discussions about content mills, the derogatory name given to websites that seek writers to crank out copy on every subject under the sun.

In fact just as I was on a final edit I read the following, penned by Nik Usborne, on searchengineland.com:

“Most web content is barely alive, even when it is first written. It is pumped out by content mills, optimized and uploaded. This kind of bulk content is often referred to as backfill content. I prefer the term “landfill content.” Dead and rotting from day one. In sharp contrast, living content is quality content. It is shared quickly through social media—because it is worth sharing—and takes root across the web. Better still, true living content is updated and added to on a regular basis.”

I’m sure everyone echoes this sentiment.

It’s true that Examiner appears to be a cut above these sites it has nonetheless been included in the discussions at times.

Traditionalists see a relentless downward push on the quality of writing and the rate at which writers are paid. It’s perhaps even more worrisome to read that Fortune magazine is now accepting articles for which it does not pay.

It’s sad.

Some call it “SEO marketing of content for dummies.” As long as content shows up well on search engines and enough people click on them the content generators will make money. Some of these content mills supposedly make millions of dollars a year yet their writers, sorry content producers, are not making much at all.

Nevertheless, there are many young writers, and even some seasoned out of work writers, who are happily producing features for these sites despite the low pay. And it appears there are plenty of people signing up to produce content.

I think this confirms there have always been thousands of people who relished the idea of writing and seeing their prose published. Of course, in the “old days” it was only a few who were fortunate enough to land gigs that enabled them to see their work in print.

Now anyone can start a publishing company at virtually zero cost. However, the chances of making a lot of money are still slim. Perhaps these content mills are currently a better way for new writers to get started – at least they make some money.

Despite all these dramatic changes nothing has really changed. Pretty much every one of us “old farts” started at ground zero as an unpaid intern or an entry level cub reporter before making anywhere near a living wage.

Since it’s now so much easier to get started we have thousands more trying their hand at writing, photography, and even movie making. Pretty soon we’ll reach saturation and hopefully the best sites with the best content will grow and the weak ones will wither.

Within a decade, I bet we will return to seeing the best content producers making a decent living. We will then look back on the massive changes going on at present and realize that every trade and profession has been radically altered by the digital age. Heck, by then even the healthcare industry, which is one of the last to be “digitized” will surely be undergoing transformation.

If anyone pursues the offer in the following letter, AWCom, would appreciate a report on how it turned out.

An open letter to automotive writing associations in North America

“We need to make accountability, integrity—excellence—cool again.”

I’m pretty positive you (and your members) have been getting the wrong advice when it comes to social media and the Internet in general.

It makes my blood boil when I read half-baked strategies for success online. I cringe whenMichael Banovsky experts talk about personal branding. I have three questions for automotive writers in North America: Do you really know how to write for the web? And do you (or your publisher) know how to build traffic, visitor awareness, and capture the attention of advertisers? Do you, as freelancers, know how to create a portfolio of work that’s made for the Internet – and is not just a collection of re-hashed dead tree newsprint articles?

If I told you that Google (and other search engines) read every single word of your reviews to gauge relevance, would you spend some more time proofreading? What if I said a reader’s first click onto your article (or website) could be their last?

Would you tweak your headlines and introductions for precision and clarity? Would you insert links to guide your readers to relevant source material? Would you man up and do a better job?

Stories, once liberated online, can become hubs of information, instruction, and comment. They can generate not only boatloads of traffic (yay…) but earn you the respect and trust of your readers.

If you’re a freelancer, waiting for your editor to add links, subheads, and change the format of your work is like asking permission from your parents on which positions they’d suggest when you bed your significant other.

I envision a world in which automotive writers always provide the best information possible, if they wrote it or not. In which they not only give readers amazing stories but the tools necessary to make the best decisions for their needs.

Why? It’s our job.

Automakers (and writers) like to tout that vehicles are the second-largest purchase of a person’s life, after their house. And it’s a purchase many make every three to seven years. Frequency dictates that the more bad advice and bad writing your readers receive each time they read your work, the more quickly they’ll be able to tune you out. People are embracing forums, Facebook comment threads, and Twitter for a reason.

Honestly, I’d like to help. If you want me to speak at your federation or whatever, I will. I don’t have a car (or book test vehicles that often) so you’ll have to figure out a way of getting me there. I’m simply tired of the misinformation and bad advice swirling around the industry.

Special thanks to Brian, who told me not to bitch so much and actually try to help. (That’s his quote above.)

Oh, and if anyone wants to chat over email, I’m at michael [[ at ]] banovsky [[ dot ]] com.

Doug Stokes has been a practicing automotive PR type since “way back when.” His work has taken him from running the IKF (Go-Karts) to promoting Sprint Cars at Perris Auto Speedway, and from an early environmental auto assignment (Geo Tree Program) to NASCAR as the communications director for Toyota Speedway in Irwindale. Along the way he ran an automotive-oriented bookstore, worked the media for Mickey Thompson, and handled corporate communications for Gale Banks Engineering.


Print Isn’t Dead It’s Overpriced

Over the weekend I was in Las Vegas doing PR for the Lucas Oil Off Road Series and needed to buy a Sunday paper to see what kind of coverage we were getting for the show. I put the paper on the counter in the hotel gift shop and the young lady said, “Three dollars, please, do you want a bag?” No, bag thanks. Thinking that I was paying a “normal” kicked-up resort price, I peeled off the three bucks and left.

Autowriters.com Tom-Tom: Doug Stokes
Doug Stokes

When I got back to my room I looked at the front page and there found the “street” price – an astonishing $3.00, who’s going to have that many quarters (even in Las Vegas!) to pump a news rack with 12 quarters? Who’s going to pay that much to end up with a 80-20 split of adverts and editorial content?

For that matter, while we’re at it, who’s paying $4.95, 5.95, 6.95 and more for monthly magazines that are rationed out just about as above, when you can get similar material (all capsule-ized and easy to bite off and chew) on your computer (or phone) for “free”.

Of course we all know that free is by no means free, that there’s always a catch somewhere, and that even the best journalism has a price, it’s just that now there’s really no established place to go to get it  – regardless of what one is willing to “pay”.

The press, the “MEDIA”, has been Balkanized so widely and so thoroughly that I’m often amazed that my neighbor and I get the same two newspapers delivered on our respective driveways each morning.

In the latter days of this epoch newspapers and magazines have cut staff so severely that getting any sort of attention now seems to require a “friggin’ bombshell” instead of a (I was going to say “bon mot” but I won’t) good story. Solid equates to stolid for desk people and some malcontent’s (or bad actor’s) grousing, carousing, confessing, a sex schmozzel, a murder (or a combination of all of the above) always trumps what’s left of the headlines. Blowing out great straight stories about people, products, things.

My small company specializes in motorsports PR*, mainly because that’s been my interest as well as a source of rent money for about 40 years now. I work personally with a number of clients to try mightily to get media recognition of their work product, be it events, hardware, or services.

In the past few years the ranks of my potential targets have seemed to dwindle pretty drastically. In actuality the string was pulled on the costume and hundreds of tiny targets spilled out all over the place, each proclaiming that they were the equal of the one big guy that was once there. (Website wonders? bloggers? points of light?)

When I’m watching a TV show and I’m directed to effectively shut the TV off (or at least not watch the next offering) go to my computer for “more” of the show that I was watching -  I have to wonder how that works. And it’s exactly the same for the news programs: turn us off, go to your computer and see more about this story squib that we teased you with – I start to feel that the media itself is systematically shedding and drinking its own blood, kind of like that snake eating its own tail.

Again, please tell me how that works in real life.

* PR (and automotive PR in particular) is most likely another one of brother (Jack) Baruth’s least favored professions. If he thinks that all automotive writers should be shot, I shudder to think of what kind of a grisly fate he’d have in store for us car and car event PR flacks. . . .  And what makes his little, dried-up, cake-white butt so pure and holy anyway?

The plentitude of pixels has muted the old saw, “don’t get in a war of words with someone who buys ink by the barrel” as PR pro John McCandless evidences in his response to Jack Baruth’s April Tom-Tom. Baruth proposed, “auto journalism as we know it should die.”

 McCandless, who has PR in his blood (his father was an ace practitioner in his time) has been in automotive PR with Chrysler, American Motors and Toyota where he is now National Manager, Corporate Communications Field Operations. He also rose through the ranks as a communications officer with the U.S. Navy Reserve, retiring as a captain in 1999. He recently won praise for his frank discussion of Toyota’s communications problems with graduate students in the University of Michigan’s School of Management.


In Defense Of Automotive Journalism

Oh No! A free trip will bring down all of automotive journalism.

Autowriters.com Tom-Tom: John McCandless, Toyota PR
John McCandless

I hope Jack Baruth is a better racer than he is a reporter. His recent rant demonstrated little knowledge or talent for the latter.

It would appear that he wrangled an invitation to a new car preview and was aghast that others, (likely as well as himself,) were the guests of that manufacturer, to the tune of airfare, lodging and meals. Somehow, he concluded, that this hosting would guarantee that automaker good ink (or internet space), regardless of how good or bad the product performed.

Long-lead previews have been around for ages. Mr. Baruth might be surprised to learn that a significant number of organizations pay their own way to these events and pick up their lodging tabs. Others, including buff books, trade magazines and freelancers, accept the fact that they are being hosted.

His solution to this terrible violation of ethics? Invite consumers to these events. Hmmm, let’s see. Most manufacturers sell millions of cars and trucks annually. Sure, let’s invite every prospect to come evaluate our vehicles. We’d get through the 2010 products say, by 2055. I’m sure Bristol Cars will be alive and well for decades, but then again, who has ever heard of Bristol Cars.

Mr. Baruth needs to keep focused on racing. As a critic of automotive journalism, he has crashed and burned.

For those who have not visited the hornet’s nest of other responses Baruth evoked, check out the comments online.

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